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Alila
Amos Gitai paints a vivid, gritty portrait of life in modern-day Israel with this multi-character study of intertwining lives in and around a Tel Aviv apartment complex. Ezra (Uri Klauzner) is a building contractor who sleeps in his van with his ille... Amos Gitai paints a vivid, gritty portrait of life in modern-day Israel with this multi-character study of intertwining lives in and around a Tel Aviv apartment complex. Ezra (Uri Klauzner) is a building contractor who sleeps in his van with his illegal Asian immigrant workers outside his ex-wife Mali`s (Hanna Laslo) door while building an extension to the building, much to the annoyance of the elderly residents, one of whom is a concentration camp survivor. Meanwhile, the son of Ezra and Mali, Eyali (Amit Mestechkin) runs away from his mandatory stint in the Israeli army and Mali`s friend, the beautiful, troubled Gabi (Yael Abecassis) has a rendezvous with her married lover Hezi (Amos Lavie) for some loud, torrid sex scenes in one of the rooms. The camerawork here is first rate, capturing the action in a series of extended single takes separated by fadeouts with the camera moving through, inside and out of the apartment building and elsewhere in Tel Aviv, capturing the city`s rundown vibe. Director-writer Gitai adds a voice-over to the credits in one of the film`s many unusual touches. A prolific chronicler of Israeli life whose films include KADOSH (2000) and KIPPUR (2000), Gitai gives his actors a lot of room to improvise, and the performances in ALILA are generally strong, with the lovely Abecassis a standout. The story is based on a book by Yehoshua Kenaz.
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